| 翻訳と辞書 |
| Symphony No. 6 (Haydn) ： ウィキペディア英語版 |
Symphony No. 6 (Haydn)
The Symphony No. 6 in D major (Hoboken 1/6) is an early symphony written by Joseph Haydn and the first written after Haydn had joined the Esterházy court. It is the first of three that are characterised by unusual virtuoso writing across the orchestral ensemble. It is popularly known as ''Le matin'' (Morning).
== Background and scoring ==
Haydn wrote this, his first symphonic work for his new employer Prince Nikolaus Eszterházy, in the spring of 1761, shortly after joining the court. The Eszterházys maintained in permanent residence an excellent chamber orchestra and with his first contribution for it in the symphonic genre, Haydn fully exploited the talents of the players. In this, Haydn was consciously drawing on the familiar tradition of the concerto grosso, exemplified by the works of Antonio Vivaldi, Giuseppe Tartini, and Tomaso Albinoni then much in vogue at courts across Europe. All three symphonies (Nos. 6, 7 and 8) feature extensive solo passages for the wind, horn and strings, including rare solo writing for the double bass and bassoon in the third movement of No. 6. The work is scored for flute, 2 oboes, bassoon, 2 horns in D, violin I, violin II, viola, cello, double bass, and harpsichord ''ad libitum''.〔See H. C. Robbins Landon's edition of the (score for Symphony No.6 ) at the German web site (Haydn100&7 ). To display the score for each movement click the link "Partitur lesen" (score" ). The instrumentation for the symphony is shown on page two of the section for the first movement. Accessed 29 May 2009.〕〔The harpsichord is marked ''ad libitum'', since there is disagreement whether it should be used. Although Landon insists that it is required, James Webster (for Christopher Hogwood) argues that it should not be used, since Haydn was the only keyboard player in the Esterházy orchestra, and he conducted from the violin. Furthermore, there are no figured bass or keyboard parts in any of the authentic Haydn symphony scores (summarized by Threasher, p. 51).〕
It has been commonly suggested that Haydn's motivation was to curry favour both with his new employer (by making reference to a familiar and popular tradition) and, perhaps more importantly, with the players upon whose goodwill he depended.〔For a typical commentary, see D. McCaldin, "Haydn Well Served", ''The Musical Times,'' Vol. 132, No. 1783 (September 1991), p. 448.〕 Typically during this period, players who performed challenging solo passages or displayed unusual virtuosity received financial reward. By highlighting virtually all of the players in this regard, Haydn was, literally, spreading the wealth.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Symphony No. 6 (Haydn)」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|